The Good Friends of Jackson Elias

We’re back, and we’re polishing our magnifying glasses, scraping the gum off our shoes and hunting for clues. This is the first of two episodes delving into the appeal of investigative games. A big topic such as this demands extra resources, so we have brought in Mike Mason, line editor for Call of Cthulhu, to help us with our enquiries.
Our discussion this episode focuses on defining what we mean by an investigative game and providing some tips and techniques for approaching investigations as a player. Because of the amount of time these topics took, we have separated our discussion about running investigative games into a second episode, which will be along in two weeks or as soon as we can follow its trail to the end.
It was harder than you may think to pin down exactly what an investigative game is. Investigation has arguably been part of roleplaying for as long as RPGs have been around, an element, like horror, that you can add to pretty well any setting or genre. Call of Cthulhu was the first game to place investigation at the forefront, creating a style of play now seen in a great variety of RPGs. But are only games with such a focus investigative? Is investigation a matter for mechanics or roleplaying?
Speaking of inexplicable occurrences that lead to madness and horror, we sing again in this episode. In my opinion, Paul has outdone himself with the mixes of these two audio nightmares. If you are puzzled by why we would do such a thing to your ears, this is our way of thanking those generous Patreon backers who pledge $5 an episode. This was supposed to be the episode where we finally caught up with all the outstanding thanks we owe to our wonderful patrons. Before we had a chance to do so, however, we had another $5 backer, so there will be at least one more song in the next episode as well. There is no escape for any of you.