Business Side of Music

The Business Side of Music is an interview show designed to help independent artists and songwriters better understand and navigate the music industry. 45-year industry veteran, Bob Bender talks to successful guests from every corner of the industry about their careers to discover the things they did right as well as the lessons they learned from any mistakes they made. businesssideofmusic.com

http://www.businesssideofmusic.com

subscribe
share






#174 - Look at Your Recording Stems as a Revenue Stream


Do you look at your stems when recording in the studio as a revenue stream, or just layers of your song as a whole?

Audioshake has created the AI technology, which is designed to help the rightsholder to the music to be able to create professional stems without having to go back into the studio. This is perfect for the artist looking to create not only vocal tracks but also segmented files that can be used for music in film and television aspects, without the time and cost of having to go back into the studio to edit and mix the parts needed. Stems can make the difference in setting up a scene in a film or series, and this program provides the tools to do it right. This literally can take the music down to the molecular level if need be.

The idea of creating Audioshake came from Co-Founder and CEO Jessica Powell and her partners wanting to sing Karaoke while over in Japan. Still, their preferred choice of music was Punk, and there weren’t any tracks available to that specific genre of music. Also, they were discovering that they were karaoking to really cheesy sub-standard Midi versions that weren’t close to the real thing, which they felt took away from experience.

Out of those experiences, Audioshake has created the AI technology that will create stems and instrumentals from songs in minutes.

Why does this matter?

  • Old songs (think: mono-track) cannot be broken up
  • Analog multi-track: tapes are often damaged or lost
  • Shift to digital in the 90s: stems got lost in the shuffle
  • Contemporary: everything should have stems, but sometimes they aren’t delivered, or in some cases, songs are recorded on phones

People have been working in the field of sound separation for a long time: 

  • However, quality hasn’t historically been good enough to use the stems commercially. Recent advances in A.I. have really helped it take off. Facebook, Deezer, and several academic researchers are working on the problem.
  • Audioshake has the highest quality items in the world and the greatest breadth: vocals, drums, bass, guitar, and others...and we’re working on other instruments as well.

Audioshake offers the possibility to help artists and rights holders open up their songs for new uses -- instrumentals for sync licensing, stems for re-mixes, removing bleed from live recordings, creating stems for spatial audio, etc. 

Stems have been used in re-mixes, songwriting camps, movies, documentaries, and commercials.

Their company also has an on-demand platform for music labels and publishers who need to create large volumes of stems, and it also provides stem storage. 

This program is about helping artists make more money from their work. Audioshake wanted to build something for the industry--not a generally available consumer technology that would allow anyone to pirate artists’ work.

Jessica Powell is the co-founder and CEO of Audioshake, an AI technology that creates professional-quality stems and instrumentals from songs. She has over 15 years of experience in the technology industry. She is a former Vice President of Google, but she got her start in music at CISAC, the international author's rights organization. She is also the author of the best-selling book, The Big Disruption, and writes regularly for the New York Times, TIME magazine, and other publications. 

www.audioshake.ai

The Business Side of Music ™

© 2021 Lotta Dogs Productions LLC

  • Showrunner and Executive Producer Emeritus: Tom Sabella
  • Producer and Host (the guy who has a face for podcasting): Bob Bender
  • Co-Producer - Audio/Video Editor (the man behind the curtain): Mark Sabella
  • Director of Video and Continuity (the brains of the entire operation): Deborah Halle
  • Marketing and Social Media (all knowing): Sarah Fleshner for 362 Entertainment
  • All Around Problem Solver (and Mental Health Therapist for us): Connie Ribas
  • Recorded inside an old beat up Airstream Trailer located somewhere on what’s left of Music Row in Nashville TN (except during the Covid 19 pandemic, then it's pretty much been accomplished VIA Zoom or over the phone, with the exception for those fearless enough to come to Bob Bender's dining room… and there have been a few that have survived).
  • Mixed and Mastered at Music Dog Studios in Nashville, TN
  • Editing and Post at Midnight Express Studio located in Olian, NY
  • Production Sound Design: Keith Stark
  • Voice Over and Promo: Lisa Fuson

Special Thanks to the creator and founder of the podcast, Tom Sabella, along with Traci Snow for producing and hosting over 100 episodes of the original "Business Side of Music" podcast and trusting us to carry on their legacy.

 Website:

If you would like to be a guest on the show, please submit a request to:

musicpodcast@mail.com

If you’re interested in becoming a sponsor for the show, let us know and we’ll send you a media / sponsorship kit to you. Contact us at musicpodcast@mail.com  


fyyd: Podcast Search Engine
share








 July 28, 2021  29m