A radio show about people who make radio, hosted by Mooj Zadie and Mickey Capper.




      38: Alex Blumberg

      Alex Blumberg is the co-founder of Gimlet Media. Prior to that he was a producer for This American Life. "A big lesson for me is that there aren't really rules. If [the radio story] is really fun, and you really love it, it's probably going to work. ... And if it doesn't, if it drags, then you should come in with script. ... In the beginning, I was always asking myself, here's this like 3 minute piece of tape in my story — and every other piece of tape had been like 30 to 45 seconds, and h...



      37: Lu Olkowski

      Lu Olkowski, an independent radio producer, is the host of CBC's Love Me. "You spend so much time with people and I just think it's so shitty to suddenly — the story airs and you — disappear. ... I think that's terrible. And I just don't want to do that."



      36: Lewis Wallace

      Lewis Wallace was a reporter for Marketplace. "I think our listeners and audiences are strong enough to hold that I can have a credible voice in reporting a story, and a truthful voice in reporting a story, and also have a perspective."



      35: Julia Barton

      Julia Barton is a freelance editor who edits for Revisionist History, The World, and Studio 360. She reports for Radiolab, Marketplace, 99% Invisible, and more. "If people think they might want to be an editor the first step is to pitch to places that have good editors and get edited and really pay attention to that process. ... But also the second thing is to just listen to work — work that you like and work that you don't like — and figure out how are you reacting to it. Like where am I bo...



      34: Mike Pesca

      Mike Pesca is the host of Slate's The Gist. "There was a time when the most intelligent guy in your town was just the guy who knew the most — he knew the family genealogy, he knew facts. We've gotten away from that. The facts are there on a computer. So I think the definition of intelligence has a lot to do with synoptical connections — the ability to make connections, the ability to make analogies. So I have these conceptual scopes — I find a way to tie seemingly disparate things toget...



      33: Sruthi Pinnamaneni

      “It’s almost like me and the other person were learning about each other. And I don’t ever think about it like oh this is what makes this person weird or this is a weird moment. It’s just like moments where a thing feels real. You hear somebody tell you something and you feel like they’re telling it for the first time, and you just can’t get that quickly. It just takes time.”



      31: Jonathan Menjivar

      Jonathan Menjivar is a producer at This American Life. "When I started in radio I imagined myself on the radio more. But I've come to a place where it doesn't matter to me. I just want to make stuff."



      31: Emily Botein

      Emily Botein is the Vice President for On-Demand Content of WNYC. "I feel like as a producer, the whole goal is to have someone become more human, reveal something more personal, say something surprising. So it's your job to make an unrealistically good situation — everything has to be perfect for the host, you want the host to be super comfortable, whatever the host likes. And stupid things, from like what they want to drink, to how they want the mic positioned, to where they want to sit, t...



      30: Jessica Abel

      Jessica Abel is the author of Out on the Wire. "The group edit format, while emotionally difficult, actually is an incredibly efficient tool. In an hour, two hours, you can get the intellectual work done on a piece that could take weeks without it.”



      29: Tim Howard

      Tim Howard is the senior producer of Reply All. "You can do radio stories without stakes they just have to be really fun."