Tape

A radio show about people who make radio, hosted by Mooj Zadie and Mickey Capper.

http://taperadio.org

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      Live Taping feat. Wendy Zukerman TOMORROW


      See host and creator of Science Vs. Wendy Zukerman talk to Mooj at WNYC's The Greene Space TOMORROW Monday December 4th at 7pm. Buy tickets here: http://www.thegreenespace.org/events/thegreenespace/2017/dec/04/podcast-mixtape/


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      1m
       2017-12-03

      39: Robert Smith


      Robert Smith is a correspondent for NPR's Planet Money. "I've done [radio] for 30 years. I don't want to come in and do the same story every time. Like I want things to be challenging. … And it's solely for myself. It's solely so I don't sound like a lot of NPR reporters — they've been there, they've seen it, they've done it. ... Even ones who are really good. They're just like, "I am good at this, I am doing what I always do." And so if the very least thing that comes out of [ex...

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      1h31m
       2017-11-08

      38: Alex Blumberg


      Alex Blumberg is the co-founder of Gimlet Media. Prior to that he was a producer for This American Life. "A big lesson for me is that there aren't really rules. If [the radio story] is really fun, and you really love it, it's probably going to work. ... And if it doesn't, if it drags, then you should come in with script. ... In the beginning, I was always asking myself, here's this like 3 minute piece of tape in my story — and every other piece of tape had been like 30 to 45 seconds, and h...

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      1h32m
       2017-05-10

      37: Lu Olkowski


      Lu Olkowski, an independent radio producer, is the host of CBC's Love Me. "You spend so much time with people and I just think it's so shitty to suddenly — the story airs and you — disappear. ... I think that's terrible. And I just don't want to do that."

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      39m
       2017-02-21

      36: Lewis Wallace


      Lewis Wallace was a reporter for Marketplace. "I think our listeners and audiences are strong enough to hold that I can have a credible voice in reporting a story, and a truthful voice in reporting a story, and also have a perspective."


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      1h0m
       2017-02-08

      35: Julia Barton


      Julia Barton is a freelance editor who edits for Revisionist History, The World, and Studio 360. She reports for Radiolab, Marketplace, 99% Invisible, and more. "If people think they might want to be an editor the first step is to pitch to places that have good editors and get edited and really pay attention to that process. ... But also the second thing is to just listen to work — work that you like and work that you don't like — and figure out how are you reacting to it. Like where am I bo...

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      1h2m
       2017-01-24

      34: Mike Pesca


      Mike Pesca is the host of Slate's The Gist. "There was a time when the most intelligent guy in your town was just the guy who knew the most — he knew the family genealogy, he knew facts. We've gotten away from that. The facts are there on a computer. So I think the definition of intelligence has a lot to do with synoptical connections — the ability to make connections, the ability to make analogies. So I have these conceptual scopes — I find a way to tie seemingly disparate things toget...

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      54m
       2016-06-27

      33: Sruthi Pinnamaneni


      “It’s almost like me and the other person were learning about each other. And I don’t ever think about it like oh this is what makes this person weird or this is a weird moment. It’s just like moments where a thing feels real. You hear somebody tell you something and you feel like they’re telling it for the first time, and you just can’t get that quickly. It just takes time.”


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      53m
       2016-06-21

      31: Jonathan Menjivar


      Jonathan Menjivar is a producer at This American Life. "When I started in radio I imagined myself on the radio more. But I've come to a place where it doesn't matter to me. I just want to make stuff."


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      59m
       2016-05-24

      31: Emily Botein


      Emily Botein is the Vice President for On-Demand Content of WNYC. "I feel like as a producer, the whole goal is to have someone become more human, reveal something more personal, say something surprising. So it's your job to make an unrealistically good situation — everything has to be perfect for the host, you want the host to be super comfortable, whatever the host likes. And stupid things, from like what they want to drink, to how they want the mic positioned, to where they want to sit, t...


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      38m
       2016-04-14