Gesamtlänge aller Episoden: 80 days 22 hours 59 minutes
And—surprise, surprise—Amazon isn’t doing nearly enough about it.
If an instrumental tops the charts, it’s probably an earworm: “Tequila.” “Wipeout.” “Dueling Banjos.” “The Hustle.” “Feels So Good.” “Chariots of Fire.” “Axel F.” You can probably whistle or hum several of those from memory. But do you remember the artists? All were one-hit wonders. By and large, instrumental hits throughout chart history were flukes...
Writer Michael Harriot says white-washing Black history is a desperate effort that’s bound to fail.
Jenée Desmond-Harris is joined by romance author Tia Williams.
In the 1950s, women weathercasters were idolized and lusted over. They were also seen as a major threat.
The tabloids want you to think Sophie Turner is a neglectful mom as her divorce from Jonas goes public. The internet isn’t buying it.
Burger patties with earrings. Michael Jordan. And so much rapping.
This week, Stephen and Dana are joined by guest host Kat Chow, journalist and author of the 2021 memoir Seeing Ghosts. The panel begins by wading through HELL, Chris Fleming’s new hour-long comedy special that’s both puzzling and delightfully goofy. Then, the three consider Astrakan, a deeply dark and unsettling first feature from director David Depesseville, and attempt to parse through the film’s (intentionally?) ambiguous messages...
Polyglot Luca Lampariello on creating a language-learning system that’s functional and fun.
Joel Anderson, Stefan Fatsis, and Josh Levin talk about Coco Gauff’s big breakthrough at the U.S. Open. They also discuss Texas’ win over Alabama, and whether the Longhorns are back, baby. Finally, the Washington Post’s Ben Golliver joins to assess Team USA’s non-medal-winning performance at the FIBA Basketball World Cup. Coco Gauff (2:48): Why her first grand slam victory felt so monumental...