Fifty Key Stage Musicals: The Podcast

Fifty Key Stage Musicals: The Podcast is a supplement to the Routledge Press publication Fifty Key Stage Musicals. Each episode focuses on an iconic musical that altered the landscape of the genre and features interviews with theatre professionals and scholars. Hosts: Andrew Child and Robert W. Schneider.

https://www.routledge.com/Fifty-Key-Stage-Musicals/Schneider-Agnew/p/book/9780367444426

Eine durchschnittliche Folge dieses Podcasts dauert 52m. Bisher sind 52 Folge(n) erschienen. Dies ist ein täglich erscheinender Podcast.

Gesamtlänge aller Episoden: 1 day 23 hours 46 minutes

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episode 51: DEAR EVAN HANSEN


Frederick D. Miller explores the ways Dear Evan Hansen comments on a societal reliance on social media while existing in an industry increasingly dependent upon social media to profit and survive.


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 May 31, 2022  39m
 
 

episode 50: HAMILTON


W. Jerome Stevenson argues Hamilton’s significance as a twenty-first century musical which was able to maintain mass appeal to the public amid a flurry of tourist-oriented Broadway productions


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 May 30, 2022  54m
 
 

episode 49: FUN HOME


Courtney Laine-Self, who directed the regional premiere of Fun Home, examines the difficulties critics and audiences had categorizing this musical from its premiere as a musical based on an autobiographical graphic novel by Alison Bechdel while addressing the historical significance of its lesbian protagonist.


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 May 29, 2022  44m
 
 

episode 48: NEXT TO NORMAL


Lyricist Brian Yorkey discusses the challenges in musicalizing mental health crises in Next to Normal.


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 May 28, 2022  52m
 
 

episode 47: IN THE HEIGHTS


In the Heights was the first Broadway musical to rely on rap as its primary mode of storytelling.


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 May 27, 2022  50m
 
 

episode 46: JERSEY BOYS


Rick Elice examines how contradicting stories from the three living band members lent the show a multi-perspective narrative frame.


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 May 26, 2022  51m
 
 

episode 45: WICKED


Lauren Haughton makes the argument that the inclusion of screenwriter Winnie Holzman as the librettist for Wicked allowed the show to examine the relationships of adolescent girls in a uniquely authentic way, positing the musical as a pioneering exploration of feminine friendship.


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 May 25, 2022  1h41m
 
 

episode 44: MAMMA MIA


Using the hits of Swedish pop group ABBA to tell a fictional story, Mamma Mia! was heralded as Broadway’s first mega-hit jukebox musical.


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 May 24, 2022  48m
 
 

episode 43: THE PRODUCERS


Finding waning success in Hollywood, Mel Brooks was eventually convinced to adapt his Academy Award winning screenplay, The Producers, into a musical. Kasey RT Graham follows the ways Brooks, director Susan Stroman, and co-writer Thomas Meehan reinterpreted the cult classic film into a two act Broadway musical.


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 May 23, 2022  43m
 
 

episode 42: SEUSSICAL


Seussical’s ability to redefine theatrical financial success, and public exposure, after its failure on Broadway, offered shows that were not commercially viable to become regionally successful such as Little Women, The Addams Family, and Be More Chill.


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 May 22, 2022  47m