Gesamtlänge aller Episoden: 2 days 13 hours 13 minutes
To mark our 50th episode, writer and podcaster Tom Jackson gives us his clear-eyed take on Dylan’s “Born Again” albums: Slow Train Coming, Saved, Shot Of Love and Trouble No More. “Slow Train Coming is not a smooth record, not a pleasant record, but I enj
Novelist, former A & R man and screenwriter John Niven begins by summing up Bob’s generally unloved Neighbourhood Bully: “I have a soft spot for Heritage Rock acts trying to do Punk in the late 70’s and early 80’s” before summing up the Dont Look Back day
Edward Docx (novelist/screenwriter/journalist) is a hyper-articulate defence witness for some of Bob’s least understood albums: Street-Legal, Infidels, Empire Burlesque and Together Through Life. “There is no uninteresting Dylan album. He opens his veins
Academic and author Pamela Thurschwell gives us her conflicted feminist take on Dylan, including his queer lyrical metaphors and what it’s like to be on the receiving end of a Dylan mansplaining session. Her namechecks range from Amy Rigby, Emma Swift and
Screenwriter Daragh Carville (ITV’s The Bay) praises Dylan’s “extraordinary ear for spoken language” while reminding us that he “draws on cinema, is fascinated by storytelling but his own films don’t work at all”. All the great story-songs are explored, i
Sitting on the porch of his Long Island lockdown hideaway, serenaded by a local bird, Loudon Wainwright III reminds us that he was proclaimed “the first of the new Bob Dylans”. It helped me get a record deal but then it got to be a pain in the ass”. He st
Singer/songwriter/podcaster/painter Dan Bern admits: “It was not lost on me, being an isolated Jewish kid in Iowa, that Bob had come from just up the road in Minnesota.” When he first heard Dylan at age 15 (“everything he was saying had a bit of a sneer t
Actor Rufus Jones (writer and co-star of Channel 4’s Home) has hardly answered the BobPhone before he confesses that, despite his Cambridge English degree, “Dylan still scares the hell out of me”. But he’s relieved that “Bob’s entering a 'jolly grandpa' p
Rolling Thunder Revue bass player and bandleader Rob Stoner on Jacques Levy, Emmylou Harris, Sam Shepard and how he “made out with Joan Baez on a motel room balcony” for Renaldo & Clara. Rob also sets the record straight on the Scorsese Netflix film: “I g
Actor/musician Danny Horn, 31, played The Kinks’ frontman Ray Davies in the West End; but it was listening to Dylan at age 14 that changed his life. Do Dylan and Davies have anything in common? Danny tells us that - in 1967/68 - “they both made love lette