Gesamtlänge aller Episoden: 19 days 1 hour 1 minute
Tim describes himself as not a singer, but a writer with a band, and he shouted at the front of Too Much Joy in the late' 80s–'90s and has since recorded as Wonderlick while working as a big dog in the digital music industry with Google, Rhapsody,
Gary is a guitar virtuoso who's put out more than 30 albums, typically by writing guitar instrumentals that then get a melody and words added by a singer/songwriter, the most famous of these being Jeff Buckley (Gary wrote a book about it!),
Gary is a guitar virtuoso who's put out more than 30 albums, typically by writing guitar instrumentals that then get a melody and words added by a singer/songwriter, the most famous of these being Jeff Buckley (Gary wrote a book about it!),
Steve is a one-man band, overdubbing his compositions both in jazz (steel drum!) and pop/rock (featuring his unique and sometimes disco-high voice). He's also drummed and/or fronted bands (including one in college with your host Mark).
Steve is a one-man band, overdubbing his compositions both in jazz (steel drum!) and pop/rock (featuring his unique and sometimes disco-high voice). He's also drummed and/or fronted bands (including one in college with your host Mark).
Steve is a one-man band, overdubbing his compositions both in jazz (steel drum!) and pop/rock (featuring his unique and sometimes disco-high voice). He's also drummed and/or fronted bands (including one in college with your host Mark).
Jeff was the voice of JudyBats until '94, and is now Heiskell. He sings with character, or characters, always articulate, overly introspective, with intimacy issues. We discuss his current status as happy, self-funded, free-styled,
Jeff was the voice of JudyBats until '94, and is now Heiskell. He sings with character, or characters, always articulate, overly introspective, with intimacy issues. We discuss his current status as happy, self-funded, free-styled,
Gareth Mitchell is a post-rock academic, an innovative guitarist who now uses recorded splices of treated guitar (among other things) made into loops to meticulously construct electronic music, as on his upcoming album, 72.
Gareth Mitchell is a post-rock academic, an innovative guitarist who now uses recorded splices of treated guitar (among other things) made into loops to meticulously construct electronic music, as on his upcoming album, 72.