Gesamtlänge aller Episoden: 16 days 12 hours 18 minutes
David Bleich‘s book The Materiality of Language: Gender, Politics and the University (Indiana University Press, 2013) is described as a wide-ranging critique of academic practice, which is almost an understatement.
Scientists – and I claim to include myself in this category – sometimes seem to be disparaging about the ability of people in general to understand and act upon quantitative data, such as information about risk in the medical domain.
The recognition of speech acts – classically, things like stating, requesting, promising, and so on – sometimes seems like a curiously neglected topic in the psychology of language. This is odd for several reasons. For one,
A common philosophical picture of language proposes to begin with the various kinds of communicative acts individuals perform by means of language. This view has it that communication proceeds largely by way of interpretation,
One of the risks of a telephone interview is that the sound quality can be less than ideal, and sometimes there’s no way around this and we just have to try to press on with it. Under those conditions, although I get used to it,
It’s tempting to think that lexicography can go on, untroubled by the concerns of theoretical linguistics, while the rest of us plunge into round after round of bloody internecine strife. For better or worse,
It’s not surprising that human language reflects and respects logical relations – logic, in some sense, ‘works’. For linguists, this represents a potentially interesting avenue of approach to the much-debated question of innateness.
Pretty much everyone who’s done a linguistics course has come across the name of Ferdinand de Saussure – a name that’s attached to such fundamentals as the distinction between synchrony and diachrony, and the arbitrariness of the linguistic sign.
Rhythm, metaphor, politics: these three features of language simultaneously enable us to communicate with each other and go largely unnoticed in the course of that communication. In An Anatomy of Chinese: Rhythm, Metaphor,
Morphology is sometimes painted as the ‘here be dragons’ of the linguistic map: a baffling domain of idiosyncrasies and irregularities, in which Heath Robinson contraptions abound and anything goes. In his new book,