Gesamtlänge aller Episoden: 4 days 1 hour 58 minutes
John and Craig talk about the importance of visualization for screenwriters, and the fact that some very successful writers can’t do it. They share what’s going on inside their brains as they write, their processes for imagining a scene, and what...
It’s official – the WGA has ratified its contract with the AMPTP. John and Drew look at how the votes were distributed, what happens next, and what to keep in mind as SAG-AFTRA moves forward in their negotiations. Links: John...
John sits down with WGA Negotiating Committee co-chair Chris Keyser to look at how writers crafted the narrative of the strike. From establishing the premise and themes, identifying characters, and all the way down to specific word choices, we dissect...
John and Craig take an in-depth look at the deal points of the WGA’s tentative agreement with the AMPTP, which ended the 2023 WGA strike after 148 days. Together they break down what gains were made, how they work, and why they are important for...
Recorded live from Paramount and Amazon Studios, John and Drew talk with actors and writers marching in support of SAG-AFTRA as they re-enter negotiations with the AMPTP. Thanks to everyone who talked with us! Links: John...
John, Drew and Megana read through the details of the WGA’s Tentative Agreement to see what was initially proposed and what was ultimately won. Links: Megana Rao on John on , and Scriptnotes is produced by Drew...
John and Greta Gerwig (Barbie, Little Women and Lady Bird) discuss adaptation, ambition and authorship. With the screenplay in front of them, they look at specific scenes in Little Women and explore how its non-linear timeline changed how the movie...
After 146 days on the picket line, the WGA has reached a tentative deal with the AMPTP. John walks through the very exciting email that was sent out to members, outlining what it means, what happens next, and reflects on how far we’ve come. Links: ...
John and Craig test out a dreamy thesis: that all fish out of water stories are either The Wizard of Oz or Splash. What are the differences? Are Splash movies funnier? And what are the hidden pitfalls of placing our characters in unfamiliar worlds? We...
John and Drew talk about one of the best things writers can do to keep their skills sharp during the strike: reading. They discuss where to find scripts, what you can learn from other people’s writing, and what they’ve been working on while...