Conversations about all things organ playing. Vidas Pinkevicius and Ausra Motuzaite-Pinkeviciene talk with experts from the organ world - concert and church organists, improvisers, educators, composers, organ builders, musicologists and other people who help shape the future of our profession.
I am currently subscribed to the Pedal Virtuoso Course. My materials for the week usually arrive on Wednesdays around 11:30 am local time, but for some reason, I didn't receive my materials for Week 5 (not in either my inbox or my spam folder). Could you arrange to have it sent?
My ultimate dream in regard to organ playing would be to gain the technical facility and coordination necessary to perform the masterworks of the Baroque repertoire (e.g., BWV 582, HWV 432, the entirety of BWV 1080).
Beyond that would be to gain the ability to improvise/think contrapuntally...
“Hello there, dear maestro.
Thank you for your latest SOPP about Unda Maris. I really enjoyed it. But I have a question: who's the composer of that fantastic G-Major piece you played from 21:00 until 23:17? It sounds early baroque to me, but I can't really say whether it's Bach...
I was not a novice on the pedal, since I played the church organ for a couple of years. When I started to look into nicer and more demanding pieces for organ, I felt I need a better technique at least for playing scales. Fortunately I found your Course in the internet, signed up and practiced the lessons every day over 12 weeks.
It is amazing: My feet find the right keys without looking...
“Hello friends: I have read all about your Pedal Virtuoso Master Course.
I would like to answer one important question for me.
I have seen that there are many scales and arpeggios.
I think that this is very good but I need to practice how to find any pedal without looking at the pedalboard...
This question was sent by me, Vidas! I posted my answer in the Total Organist Community Basecamp channel, where I’ve been asked the question, “What have you been struggling with the most in organ playing this week. So, I wrote: “Last week I was struggling to record Trio Sonata No. 1 in Eb Major, BWV 525 by J.S. Bach. Somehow I find it easier to play live recitals than to record pieces one by one.”