Wesley Morris and Jenna Wortham are working it out in this weekly show about culture in the broadest sense. That means television, film, books, music — but also the culture of work, dating, the internet and how those all fit together.
When the three opening notes of the song hit, there’s only one thing to do: Find your people and dance. Today, we’re talking about “Before I Let Go,” by Maze featuring Frankie Beverly, and the song’s unique ability to gather and galvanize. It wasn’t a huge hit when it came out in 1981, but it has become a unifying Black anthem and an unfailing source of joy...
A powerful — and revealing — aspect of the Derek Chauvin trial was the community it created out of strangers. Week later, we’re still thinking about the witnesses, and the way they were connected in telling the story of how George Floyd lost his life. This phenomenon is reflected in works of art, like Spike Lee’s “Do the Right Thing,” which explores the conflict inherent in a community.
She’s simply the best. A new documentary on HBO (called, simply, “Tina”) explores Tina Turner’s tremendous triumphs, but we wanted to go deeper. We talk about how her entire career was an act of repossession: Taking back her name, her voice, her image, her vitality and her spirituality made her one of the biggest rock stars in the world, even in her 50s...
The Asian-American poet wants to help women and people of color find healing — and clarity — in their rage. Hong's book of essays, “Minor Feelings: An Asian American Reckoning," came out in February 2020, and it’s taken on new urgency with the rise in anti-Asian violence and discrimination during the pandemic.
Social media apologies have become the standard celebrity response to internet outrage. But why do they feel so deeply inadequate? Jenna and Wesley dissect a new spate of public apologies from the last year. And they look to the activist and writer adrienne maree brown for an example of a “fully evolved” apology.
Disney owns a piece of every living person’s childhood. Now it owns Marvel Studios, too. Jenna and Wesley look at depictions of racist tropes and stereotypes in Disney’s ever-expanding catalog. The company has made recent attempts to atone for its past. But can it move forward without repeating the same mistakes?
“Promising Young Woman” is one of this year’s major Oscar contenders. It’s a dark revenge fantasy that asks a sweeping moral question: What if there are no good men? Wesley and Jenna go deep into the film and consider what it gets right — and wrong — about sexual assault and justice. Beware: There will be spoilers.
“Drivers License” by Olivia Rodrigo makes Wesley nostalgic for his favorite part of a song: the bridge. Bridges used to be a core feature of popular music, but they’ve become an endangered species, right next to the sitcom laugh track. While Wesley laments the demise of the bridge, Jenna points out that TikTok has given us new ways to experience the best part of a song.
It’s the episode we’ve been wanting to make for years. In our season premiere, we’re talking about the N-word. It’s both unspeakable and ubiquitous. A weapon of hate and a badge of belonging. After centuries of evolution, it’s everywhere — art, politics, everyday banter — and it can't be ignored. So we’re grappling with our complicated feelings about this word.
We’re back with a new season on March 18! Join culture writers Jenna Wortham and Wesley Morris in the juiciest group chat, the coziest diner booth, the crowded kitchen at a house party with the best snacks and the real talk. Each week, they’ll come together to talk art, identity, politics, the internet — whatever they’re grappling with. Subscribe for deep chats, uncomfortable but necessary conversations and incisive takes on the cultural landscape. New episodes come out every Thursday.