Still Processing

Almost one week after Kanye West released his eighth studio album, "Ye," we wonder what to do with artists who displease us. Going back to 2004, we take a closer look at Kanye, the artist, who questioned the role of higher education, called out former president George Bush after Hurricane Katrina on live television, and publicly grieved over the untimely death of his mother...

When actor Jessica Walter said fellow co-star Jeffrey Tambor verbally harassed her on the set of "Arrested Development," the show’s lead, Jason Bateman, jumped to Tambor’s defense -- and we noticed. This week, we suss out what this interaction -- documented in sound -- shows us about the subtle and not-so-subtle ways that we're taught to minimize the experiences of women...

With Rita Ora, Janelle Monáe, Kehlani – and even fictional characters like Lando Calrissian – embracing bisexuality, pansexuality, queerness, and more, we wonder: what does it mean to publicly declare your sexual identity as something outside the gay/straight binary in 2018? And what did these declarations look like in the 80s and 90s, when we were growing up? We compare the sincere loneliness of R.E.M...

This week, shortly after multi-hyphenate artist Donald Glover blew up the internet with the video for his song "This is America," Wesley and guest host Rembert Browne (New York Magazine, Grantland) explore Glover's career, and how he evolved from a likable comedian to a cultural provocateur and authority on blackness. We like Glover's brain and the music and TV he is making, but we also wonder about the speed with which he's been anointed a "genius...

This week we're talking about white culture, and what it is trying to tell us about itself on TV, at the movies and in books. We're noticing that white people are anxious--consciously and unconsciously--about their place in the world, and it's fascinating to unpack. First, we look at the new season of Roseanne, a show that explicitly embraces its whiteness and thumbs its nose at anyone who would challenge that...

We were so blown away by Beyoncé’s performance at the Coachella music festival that we decided to scrap our previous plans and dedicate this week’s entire episode to it. We think her performance will go down in the annals of American pop music as one of the greatest live shows ever. We close read some of our favorite moments, including her beautiful rendition of the black national anthem, “Lift Ev’ry Voice and Sing,” and how she turns the swag surf into a dance for royalty...

As a break from the onslaught of traumatic news, this week we're talking about what makes us feel good about ourselves. Really good. We start by exploring what has been lost with the recent closure of Craiglist's personal ads section: a unique place, so distinct from Tinder or Grindr or Bumble, where you could search honestly for your own sexiness. Then we share some our personal tips for maintaining and nurturing that feeling once you find it...

This week, we commemorate the 50th anniversary of Martin Luther King Jr.’s death. While MLK’s birthday is celebrated on a national level, we spend time processing why his death holds a significant importance as well. We examine the months leading up to MLK Jr.’s death, including his iconic speech, “I’ve Been to the Mountaintop,” and discuss the ways in which his ideals shifted after his “I Had A Dream” speech...

This week we're talking about why we're stressed out, why the country is stressed out, and whether anxiety has become a permanent condition. We consider the role technology has played in driving us to this point, from push alerts — so many push alerts — to Twitter to the "algorithmic gaze." Then we come back to culture and focus on a few works that either encapsulate the chaos of 2018 or offer a possible path for moving ahead...

This week we pay homage to aunties, in our own lives, in politics, and in pop culture. But first we have to define what an aunty is, so we play a little game called "Aunty or Nah-nty," naming aunty candidates from television shows and movies to refine our criteria for who is and isn't one. We examine the historical relevance of aunties, and think about portrayals of women who are not-quite-our mothers, fiercely independent and repositories for our secrets...