Gesamtlänge aller Episoden: 27 days 10 hours 26 minutes
In this week’s episode, Chris Godfrey interviews Johnny Knoxville about his life as a world-famous stuntman (2m08s), Marina Hyde laments the fact a computer system was believed over humans (15m53s), actress Emma Thompson explores the intersection of three generations of women in her family (24m39s), Jay Rayner reviews Chef Tee’s Sugarcane London (28m46s), and Nell Frizzell gives 10 tips to revive a longterm relationship (36m24s).
Gary Hersham has been selling houses to the very rich for decades. At first, £1m was a big deal. Now he sells for £50m, £100m, even £200m. What does it take to stay on top in this cut-throat business?
This week, from 2016: For more than 40 years, William James Vahey drugged and abused hundreds of pupils at international schools around the world. A Guardian investigation reveals that, despite numerous opportunities to stop him, nothing was done
At a summer camp for kids from conflict zones, I met my brave, funny friend Aseel. He was Palestinian. I was Israeli. When he was killed by police, my hope for our future died with him
In this episode, Marina Hyde looks at the new additions to Downing Street, Hadley Freeman interviews Hollywood actor Will Arnett, Sirin Kale tries her hand at quiz show Mastermind, and David Robson examines why we’re so stressed about stress
In northern Norway, trees are rapidly taking over the tundra and threatening an ancient way of life that depends on snow and ice
This week, from 2017: In recent years, references to such attacks have become inescapable. But this lazy term obscures the real nature of the threat against us
The pace of global heating is forcing insect populations to move and adapt – and some aggressive species are thriving
In our first episode, Marina Hyde reflects on another less than stellar week for Boris Johnson, Edward Helmore charts the rise of Joe Rogan, Laura Snapes goes deep with singer George Ezra, and Alex Moshakis asks, “Are you a jerk at work?”
Nina Gladitz dedicated her life to proving the Triumph of the Will director’s complicity with the horrors of Nazism. In the end, she succeeded – but at a cost