The Partially Examined Life is a podcast by some guys who were at one point set on doing philosophy for a living but then thought better of it. Each episode, we pick a short text and chat about it with some balance between insight and flippancy. You don't have to know any philosophy, or even to have read the text we're talking about to (mostly) follow and (hopefully) enjoy the discussion. For links to the texts we discuss and other info, check out www.partiallyexaminedlife.com. We also feature episodes from other podcasts by our hosts to round out your partially examined life, including Pretty Much Pop (prettymuchpop.com, covering all media), Nakedly Examined Music (nakedlyexaminedmusic.com, deconstructing songs), Philosophy vs. Improv (philosophyimprov.com, fun with performance skills and philosophical ideas), and (sub)Text (subtextpodcast.com, looking deeply at lit and film). Learn about more network podcasts at partiallyexaminedlife.com.
http://partiallyexaminedlife.com
Gesamtlänge aller Episoden: 51 days 11 hours 6 minutes
PEL Presents: PMP#52: The Twilight Zone from Serling to Peele
Something's strange... Is it a dream? If it's a morality tale with a twist ending, you're probably in the Twilight Zone. Brian, Erica, Mark, and guest Ken Gerber are in it this week, discussing the thrice revived TV series. Does the 1959-1963 show...
Ep. 247: Aristotle on Rhetoric and Emotions (Part Two)
Continuing on the Rhetoric (ca. 335 BCE) book 1, ch. 1–6 and book 2, ch. 1–5, 18–24. We finish up with enthymemes (rhetorical arguments), maxims, and signs. We then move to emotions, where we chiefly talk about anger: Is it always a matter of...
PEL Presents PMP#51: Pictures Telling Stories w/ Joseph Watson
Is it really true that "every picture tells a story"? For Joseph, who illustrates , narrative is essential, but how does the story an artist has in mind actually convey to the viewer? He joins Mark, Erica, and Brian to tell art stories and touch on...
Ep. 247: Aristotle on Rhetoric and Emotions (Part One)
On the Rhetoric (ca. 335 BCE) book 1, ch. 1-6 and book 2, ch. 1-5, 18-24. What role does persuasion play in philosophy? Aristotle (contra Plato) argues it can and should be used for good: in law courts, political debates, public speeches. He describes...
PEL Presents NEM#125: Victor DeLorenzo (ex Violent Femmes) Starts with Drums
Victor started as a singer/songwriter, drummed with the Femmes for five albums in the '80s, and has since recorded six solo releases and five more with nine thirteen, plus other collaborations, jazz jamming, and work in the theater. We discuss...
REISSUE-PEL Ep 75: Lacan & Derrida Criticize Poe's "The Purloined Letter" (w/ New Intro)
Enjoy this normally paywalled episode from Apr. 2013 about Jacques Lacan’s “Seminar on ‘The Purloined Letter'” (1956) and Jacques Derrida’s “The Purveyor of Truth” (1975). How should philosophers approach literature? Lacan read Edgar...
Pretty Much Pop #50: MJ's Last Dance w/ Seth Paskin
Brian, Erica, Mark, and Seth from interrogate the 10-part ESPN documentary on Michael Jordan's Bulls' six championships. Was it worth ten hours? Does its time-jumping structure work? Is it really hagiography, or is the vision of ultra-competitiveness...
Ep. 246: Susan Sontag on Interpreting Art (Part Two)
Continuing on Sontag's essays “On Style” (1965) and "The Death of Tragedy” (1963). Mark, Wes, Seth and Dylan keep talking about the appropriate distance to retain (or not) to a work of art, which is supposed to be relevant to moral action in the...
Pretty Much Pop #49: Conspiracy Theories as Pop w/ Al Baker
Al works for , a company that fights misinformation. He joins Mark, Erica, and Brian to try to discuss the appeal of conspiracy theories, whether their fandom is like other fandoms, the relation between pernicious and fun theories, and theories that...
Ep. 246: Susan Sontag on Interpreting Art (Part One)
On Sontag's essays “Against Interpretation” (1964), “On Style” (1965), and "The Death of Tragedy” (1963). What is it to understand a work of art? Sontag objects to critics' need to decode art into its "meaning" or "content," divorcing it...