Gesamtlänge aller Episoden: 1 day 9 hours 21 minutes
Special guest, Diana Parry-Cruwys, finally gets another chance to pick a song of her very own with this week's "To Be Young (Is To Be Sad, Is To Be High) by alt-country, prolific rocker, Ryan Adams. Not the guy who sang "Summer of '69". We discuss how unlike My Bloody Valentine this song is, how hard it is to pick just one song when you write an album a year, how drugs are bad. Stay in school kids...
A return visit from Jack Every to the TPOS studio gets us bringing the funk. Noise may be brought as well. Regardless, we spend a pleasant time talking about the amazing Sharon Jones and the Dap-Kings' "I Learned the Hard Way"...
After comparing our local classic rock stations (RIP, radio), super-guest and music encyclopedia, Chris Hornbostel, and I get into the deep talk about The Rolling Stones' "Gimme Shelter"...
Rob's solo-casting it up this week with one of his personal favorite's, ELOs "Mr. Blue Sky". Listen in horror as he attempts to describe fancy orchestral words! Stare in sympathy as he consults his thesaurus to come up with new words for "awesome"! Flee from the overwhelming gushing of good vibes and joyousness! Feel happy emotions deep inside your soul as you realize that you've already started humming the chorus. Don't hide away for so long, listener: embrace the sun before Mr...
Matt Summers makes a triumphant return with a song that has absolutely nothing wrong with it, The Breeders' "Cannonball". Is it true that the Ewoks provide backing vocals to Kim Deal? Is anything cooler than early-90s distortion effects? And is being a great band with an awesome single the same as being a one-hit wonder? Have a swig of this delicious shimmy shake while you listen...
While I messed up and forgot that "Imagine" was actually from the album Imagine, special guest, Terry Parretti, lifelong educator and dancer, forgives me in the name of John Lennon's message of peace, humanity, and love. We discuss what happens when we die and if it even matters, the power of music in teaching, and just how crummy the 70s were. Stay tuned until the end for some free choreography consultation...
This week we sip lemon gin with writer/comedian/nice person, Hunter Gardner. to celebrate the season with a discussion of "Almost Summer" by Jason Collett. We wonder why summer sounds so sad in this song, opine on the indignities of youthful intoxication, and embarrass each other with bad date stories. Our pants remain securely around our ankles...
Because they did me the favor of visiting me, I forced a good 40% of my extended family into the ol' podcast studio to discuss our favorite songs about America and the summertime, but mostly the summertime...
It's the big 50th episode of the show! And I booked a bunch of young children to make noise in the background. What better way to celebrate our house party than by talking about Grouplove's "Tongue Tied". Listen to me wax philosophically about the deep, deep meanings of the song and how it taps into our collective unconscious about how crappy it is to try to get a date. Everyone else just talks about medical problems and strategies for laser tag...
It's Part 2 of the epic battle royale that is ETHERIDGE-OFF!! This week, I'm rejoined by Diana Parry-Cruwys who hopes to derail my assertion that the most superior song is Melissa Etheridge's "I Want To Come Over". We break all our concert plans to warble a passionate plea for all the star-crossed lovers out there before explaining the secret meanings of the too happy guitar-solo and why are is so damn sad...