Why do musicians create what they do? Why do they create in that particular way? Mark Linsenmayer (aka songwriter Mark Lint, and host of The Partially Examined Life) talks to songwriters and composers about specific recordings, which are played in full. We cover lyric meanings, writing and recording techniques, arrangements, band dynamics, the stories behind the songs, and even music theory.
https://nakedlyexaminedmusic.com/podcast-episodes/
NEM#77: Shawn Phillips: Uncategorizable from Texas
Shawn started with two albums as a '60s folk singer, went to England to cavort with Donavan, The Beatles, et al, and emerged in the '70s with ten albums of eclectic, progressive music with shamanic lyrics delivered with a twang.
We discuss "She Was Waitin' for Her Mother at the Station in Torino and You Know I Love You Baby but It's Getting Too Heavy to Laugh" (or "Woman" for short) from Second Contribution (1971), "A Christmas Song" from Faces (1972) and "Mr. President" from Furthermore (1974), then play two songs from his new album, Continuance: “C’mon Round” and "Bach to the Fusion." Opening music: “I’m a Loner (I’m a Drifter)” from I'm a Loner (1964). For more, see shawnphillips.com.
Here he is recently live with Paul Buckmaster and J. Peter Robinson. Here he is doing his live one-man band layering thing. Here he is singing "Woman" live solo, and here's a whole recent live show. Support us at patreon.com/nakedlyexaminedmusic. Here's the full album track of "I'm a Loner." His best-known song might actually be "Hey Miss Lonely," which is one of the most Willie-Nelson-like things he's done.
Here's another interview with some in-studio performance, and here he is teaching some guitar. Here's another interview with performance from the '90s. Here he is telling one of his famed on-stage stories and playing a song.
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