Why do musicians create what they do? Why do they create in that particular way? Mark Linsenmayer (aka songwriter Mark Lint, and host of The Partially Examined Life) talks to songwriters and composers about specific recordings, which are played in full. We cover lyric meanings, writing and recording techniques, arrangements, band dynamics, the stories behind the songs, and even music theory.
https://nakedlyexaminedmusic.com/podcast-episodes/
NEM#80: Rod Picott: Literary Workin’ Man
Nashville singer/songwriter/fiction-writer Rod laid sheet rock for years before releasing his first album in 2001; he has now released ten albums of vivid Americana.
We focus on his new double album Out Past The Wires, discussing "Take Home Pay" and "Date of Grace" (with intro/outro from "Be My Bonnie"), then look back to "Rust Belt Fields" from Welding Burns (2011) and finally listen to “You're Not Missing Anything” from Hang Your Hopes on a Crooked Nail (2014). More at rodpicott.com.
Here's a sample of Rod's live solo act. Here he is similarly performing "Take Home Pay," including his storytelling. Here he is back in 2007 playing a live song with a band from his first album. Here he is live with Amanda Shires.
Rod has also done some fancy videos: "You're Not Missing Anything," "Coal," "Dead Reckoning," "'65 Falcon," "I Might Be Broken Now," and "Where No One Knows My Name."
Hear co-writer Slaid Cleaves's version of "Take Home Pay." Here's Slaid performing "Rust Belt Fields." And here are Slaid and Rod together, trading off verses.
Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon.