The Political Scene | The New Yorker

Join The New Yorker’s writers and editors for reporting, insight, and analysis of the most pressing political issues of our time. On Mondays, David Remnick, the editor of The New Yorker, presents conversations and feature stories about current events. On Wednesdays, the senior editor Tyler Foggatt goes deep on a consequential political story via far-reaching interviews with staff writers and outside experts. And, on Fridays, the staff writers Susan B. Glasser, Jane Mayer, and Evan Osnos discuss the latest developments in Washington and beyond, offering an encompassing understanding of this moment in American politics.

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Maggie Gyllenhaal on “The Deuce” and #MeToo


Maggie Gyllenhaal’s first starring role was in the 2002 movie “Secretary,” a distriburbing romantic comedy about a troubled woman in a sadomasochistic relationship with her boss. Since then, Gyllenhaal has continued to push the boundaries of how sex is depicted onscreen as an executive producer and star of “The Deuce,” HBO’s drama about the beginnings of the porn industry. In a conversation with The New Yorker’sLauren Collins, Gyllenhaal talks about her character, Candy, who leaves street prostitution to perform in porn and eventually makes her way into directing. Since the show premièred, the #MeToo movement has shed light on how women are asked to compromise themselves, not only in sex work but in entertainment and almost every other walk of life. “Many women have been asked to compromise themselves, and have done it,” Gyllenhaal tells Collins, admitting that she has moments of thinking, “Oh, my God. How did I laugh at that joke or stay in that meeting or put that shirt on?” Gyllenhaal also talks about adapting a novel by Elena Ferrante, who gave her the film rights—on condition that Gyllenhaal direct the adaptation herself. 

 

The third and final season of “The Deuce” begins in September, 2019. 


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 August 19, 2019  18m