Join The New Yorker’s writers and editors for reporting, insight, and analysis of the most pressing political issues of our time. On Mondays, David Remnick, the editor of The New Yorker, presents conversations and feature stories about current events. On Wednesdays, the senior editor Tyler Foggatt goes deep on a consequential political story via far-reaching interviews with staff writers and outside experts. And, on Fridays, the staff writers Susan B. Glasser, Jane Mayer, and Evan Osnos discuss the latest developments in Washington and beyond, offering an encompassing understanding of this moment in American politics.
https://the-political-scene-the-new-yorker.simplecast.com
The Ripple Effects of a Pandemic
For most of us, the speed and intensity of the coronavirus pandemic has come as a shock. But not for Lawrence Wright. A staff writer and the author of nonfiction books about Scientology and Al Qaeda, Wright recently wrote a novel—yet to be published—called “The End of October,” about the spread of a novel virus that eerily resembles the outbreak of COVID-19. Wright looked to illnesses of the past to try to understand their enduring consequences, and he mapped those ripple effects onto our contemporary circumstances. “The End of October” is a work of fiction and firmly in the thriller genre, but what he imagined in it turns out to be eerily close to what we are experiencing now. “I read the paper and I feel like I’m reading another chapter of my own book,” he tells David Remnick.
Lawrence Wright’s “The End of October” is due out in April.