Gesamtlänge aller Episoden: 17 days 20 hours
Marina Abramović is a pioneer in the field of performance art, using her body as both the subject and the medium. Today, we return to our special conversation with the legendary performer from her New York City apartment. To follow along with the works discussed, visit our guided, virtual exhibit at talkeasypod.com/marina-abramovic...
Upon taking a walk with crypto billionaire Sam Bankman-Fried, writer Michael Lewis had a sense that there might be a story here. In the intervening two years, that story has taken a series of twists and turns, resulting in Lewis’ new book Going Infinite: The Rise and Fall of a New Tycoon...
Singer-songwriter Weyes Blood is one of the most inventive musicians working today. One year ago, she released her prescient album And in the Darkness, Hearts Aglow.
On the heels of her whirlwind tour (4:00), she joins us this week to talk about her post-pandemic anthem “It’s Not Just Me, It’s Everybody” (10:04), her religious upbringing (13:22), the formative punk shows she attended as a teenager (20:17), and the influence of artists like Nico and Sonic Youth (25:18)...
Last fall, George Saunders published Liberation Day, his first short-story collection in nine years. This week, we return to our conversation with the beloved author.
At the top, we discuss his process creating the book (3:40), the influence of Chekhov and Gogol (4:56), and a timely passage on democracy from “Love Letter” (8:35)...
One year ago, The New Yorker staff writer and critic Hua Hsu published his singular memoir entitled Stay True. Earlier this May, the autobiography won a Pulitzer Prize.
Upon its paperback release, Hsu joins us to discuss the epigraph that frames the book (5:30) and his nomadic upbringing (9:45) scored by mixtapes (12:23) created by his Taiwanese father (15:14)...
Novelist Zadie Smith is one of the most acclaimed and beloved writers of her generation. Editor David Remnick has called her “a blessing not merely to The New Yorker but to language itself.” Author George Saunders has praised Smith’s work for its “heart and moral ambition.” I, too, think she’s quite good.
And so today we’re joined by Smith to discuss her prescient historical novel The Fraud (8:20), her instinctive writing process (14:06), and the role of projection in her work (20:30)...
Writer Sandra Cisneros has been making sense of the world on the page since 1984’s The House on Mango Street. In honor of Hispanic Heritage Month, we wanted to replay our 2022 conversation with the beloved poet.
We discuss her first poetry collection in 28 years, Woman Without Shame (4:40), why she chooses to write ‘dangerous’ pieces (6:18), and the significance of her poem, “My Mother and Sex” (8:38)...
For the better part of a decade, David Byrne was the front-man of Talking Heads. To celebrate the revival of Jonathan Demme’s concert film, Stop Making Sense, we’re revisiting our special talk with the legendary musician himself...
For nearly two decades, Matt Belloni (The Town) has been observing and writing about Hollywood. He joins us today to unpack the latest on the WGA and SAG-AFTRA strikes.
After a review of TIFF 2023 (6:50), Belloni dives into Drew Barrymore and Bill Maher’s decisions to return to their talk shows without WGA writers (10:45), the vital issues the guild is fighting for (19:20), and how their negotiations have progressed over the past twenty weeks (23:10)...
Jazz singer Laufey wants to bridge the gap between the past and the present.
Today, she joins us upon the debut of her latest album, Bewitched. We discuss her songwriting process (5:20), her bossa nova-inspired piece “From The Start” (8:12), and her guiding light as a musician (12:30). Then, we walk through Laufey’s Icelandic upbringing (14:07), how fate led her to the Berklee College of Music (20:10), and the coming of age she experienced in that period (26:15)...