[transcript]

06:56 That is such a violent place. But growing up as a teacher, I had friend friends who were like killed, you know, was at the hands of other people or by the hands of the police. And so I was making all this work that was trying to address the hurt and the mourning that was happening. So I was making these sculptures of these figures that were laying on the ground, in this rest like state. Right.
25:51 Right. And so, but now the shift has been, I did that for a while for a very long time, which is also very tasking on one's, you know, mental well-being, my spirit, my soul, all of that always constantly being in that state of arousal of always, always being on the, on the defense, always having to be ready to like respond to the comments, respond to the, well, I disagree. That's not every white person. That's not I'm like, see, RLS, we know you already defensive already. Because you said that's not everybody.
33:29 Like it's, it's making a piece for you to look at, or you come into a space and we sit down in an environment that are creative for us to like sit and talk and heal and whatever. Or it's back when I was at my home church in Baltimore and I writing plays for us on, you know, like that idea of creating these productions to like express one's feelings and thoughts. And that was like, I only know how to respond to stuff like that. Right? Like the way that I do my own healing work and my own deal with it, it's to make the work because to be in this state all the time, since my work themes are this, I have to find safeguards to protect my mind and my heart at times.