41:42 Right. So I I knew I wanted to do, like, a show that focused on black women. And because for a very long time sorry, I should not say a very long time for some time. I had been feeling that Black women are not loved the way they should be loved. And I'm saying that to you, Black people, to the Black congregation, that I don't even think that you even love Black women the way you should love Black women.
14:42 My grandmother would like, would hand piece things as well. And so those are really my biggest influences, you know, like, and, and, and I can't even talk about like all of my, my uncles who were like the civil rights, like activists who were all talking about, you know, Black is Beautiful and Black Power and being Black and what that looks like. Like I knew from the age of like 2 years old, I was black. Right? Like there was no getting around it.
03:27 And so, the Black congregations, what I call all of us black people, you know, the work is really, I got to be an artist because it's the language I feel most comfortable in. It's the way that I can articulate my perspective and my point of view like no other. And so I'm just this, this little Black boy from Baltimore, that's now living in New York, making work about healing Black people and bringing, a sense of purpose and joy to the community. Yeah. So, you know, middle son of 3 boys, really influenced by living in Baltimore.