Broken Record with Rick Rubin, Malcolm Gladwell, Bruce Headlam and Justin Richmond

Nick Lowe wrote the classic "(What's So Funny 'Bout) Peace, Love, and Understanding" (made famous by Elvis Costello), produced one of the UK's first punk records ("New Rose" by the Damned), and started one of the great independent record labels (Stiff Records). In this episode Bruce Headlam talks to him about producing the first five Elvis Costello records, marrying into Johnny Cash's family and his hilarious first encounter with the great Keith Richards...

Rick Rubin checks in with RZA on Zoom and finds out he's been peaking creatively while in quarantine. Their wide-ranging conversation covers RZA's first experiences with Hip Hop, ODB's parkour-like skills as a child, the spontaneity of classic Wu-Tang recording sessions, and how RZA almost gave up all of his earthly possessions to live with monks in China's Wudang Mountains.

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Lucinda Williams is defying convention. While most of her peers have settled into a well worn groove, the alt-country icon just released an album that's way more punk than country. She spoke with Bruce Headlam from her home in Nashville about her evolving sound and how her new album was influenced by politics and an abusive relationship. She also plays a few acoustic versions of her new songs...

It's been nearly 35 years since the Beastie Boys released their classic debut album, Licensed To Ill. In this candid conversation, Rick Rubin, who started out as the Beastie's DJ, reconnects with Mike D and Ad-Rock. Spike Jonze, who directed the new Beastie Boys documentary, Beastie Boys Story, also sits in and plays moderator...

Back to the Future is turning 35 and there's no better way to celebrate than a conversation with Huey Lewis who turned in one of the more memorable movie themes of all time: "The Power of Love." The song was a sensation when it was released, propelling Huey Lewis and the News further than even their hit album Sports had. Bruce Headlam talks to Huey Lewis about how this song came together and mines form him some wild stories about his family, upbringing and success...

A tornado raged through Margo Price's home-base of Nashville right as she was preparing to release her third album in March. A month later Margo’s husband and longtime collaborator, Jeremy Ivey, tested positive for coronavirus. While taking care of her sick husband and two young kids, Margo decided to push back the release of her new album. Now, "That's How Rumors Get Started" is finally out. Margo's written her way through personal devastation before and does so on the new album too...

Broken Record is bringing you a Fresh Find this week. We discovered Berhana after a key placement in Donald Glover’s show Atlanta. In this episode, Berhana talks about growing up in the real Atlanta, being first generation American born to Ethiopian parents, recording his newest album in Tokyo and how he started earning enough on music to make a living before he ever played a show...

***Run the Jewels are raw and so is the language in this episode***

Killer Mike and El-P return to Broken Record to discuss the creation of their fourth album, RTJ4, and the tumultuous world it was released into. Rick Rubin, who was present during some of the album's recording sessions at Shangri La, digs into the record's production and themes with the duo, calling the message and tone of the album "almost prophetic...

This week’s Fresh Find, Vagabon, is a self taught, Cameroonian-born musician whose haunting voice and genre defying style has won over critics at both The New Yorker and Pitchfork. In this episode she talks about emigrating from West Africa to Harlem as a teenager, sneaking out of her parent’s house to play D.I.Y. punk shows in Brooklyn, and how bouts of writer’s block can cause her to dream of writing code instead of new music.

Our episode with Justin Townes Earle was scheduled to run next month. But after we heard about Earle's passing over the weekend, we decided to put it out sooner. It's a deeply sad conversation in some places. Especially given his passing. However, it's also incredibly soulful, funny and searching. And the performances, culled from Earle's last release, The Saint of Lost Causes, are brilliant...