Gesamtlänge aller Episoden: 6 days 3 hours 32 minutes
Moving into a coda of sorts (both in the album and the play) Callum, David, Sam & Martin discuss the way Waits winds down The Black Rider with this final “proper” song. With some full-blooded disagreement over comparison between the theatre...
The Black Rider (Play), Tom Waits and Others [225…
Theatre-maker David Shopland joins his collaborator and returning guest Callum Hughes (plus the usual goofs Martin & Sam) to listen to this climactic track from The Black Rider. We discuss fusion of Waits’s traditional mode of writing with the...
A fourth week with Penny Foxley sees her talk with Sam and Martin about more cacophonous instrumental music, this time with a vocal to put even Waits to shame. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com...
A short episode for the shortest of short tracks, as Penny, Martin and Sam discuss this 18sec Greg Cohen extract from the Black Rider score. Now with even less Tom Waits! website: songbysongpodcast.com twitter: @songbysongpod e-mail:...
Penny Foxley returns to give Martin & Sam some more context and detail for the Black Rider play from 2004. The cacophony of the music (and the evolution of that music), Marianne Faithfull’s tailcoat, and the raw energy of early-2000s girlband...
Another Waits-does-Burroughs track this week, as we’re joined by stage manager and Black Rider alumnus Penny Foxley for some discussion of her first-hand experience working on the play. We talk through Robert Wilson’s micromanagement of actors’...
Waits returns to more directly narrative material through the lyrics of William Burroughs, as Jenny, Sam and Martin talk about vocal quality, musical dissonance, and the extraordinary musical stylings of Björk. website: songbysongpodcast.com twitter:...
A second week with Jenny Conley-Drizos sees her talking with Sam and Martin about restraint, morbidity and violence in this crooner ballad. With some of Sam’s “Overworked Lyric Unpicking” (patent pending) and Martin’s Smooth Marble Egg theory...
The mental gymnastics are in full force for this odd atonal instrumental, as Martin and Sam are joined by Jenny Conley-Drizos of the Decemberists to discuss the orchestral creation of “the essence of train”, Scott Johnson’s intense 80s editing...