Gesamtlänge aller Episoden: 6 days 3 hours 32 minutes
Cub reporter Philippa Spanos returns to revisit another Swordfishtrombones track, the tender ballad for his wife Kathleen, now with added concluding harmony! Back at the SbS ranch, Martin and Sam think about Waits's vocal shift upwards, theorise about...
Sam once again starts off an episode with an extended theory about the dramatic structure that lives between this song and the dumb story about conception-by-musket… if you'd like to skip this, please begin the episode at the two-minute mark....
Slightly blown away by this reinterpretation of Waits's mid-80s classic, Martin and Sam join in by celebrating this eastern-Europe/klezmer dance number. We also take some more time to discuss sticking to or pulling away from the strict rhythm of the...
Our man-on-the-street Eric Molinsky returns to revisit Big Black Mariah, talking about lyric comprehension and the quality of Waits's voice in relation to bed frames and animated characters. Song by Song is Martin Zaltz Austwick and Sam Pay; two...
Helen Zaltzman returns for the second new track from Big Time, this time dealing with the dull mundanity of cloudy days. The Marianne Faithfull version and the klezmer style in this track are discussed, as well as other representations of weather...
For the first of the two original tracks on Big Time, Sam and Martin welcome back friend/wife of the show Helen Zaltzman, for discussions ranging from how it affects breakfast time, similarities to the work of Michael Douglas, and the fundamental...
Episode 150! We made it! … if by "it", you mean a round number of episodes, and if by "we" you mean Sam, Martin and returning guest Lily Sloane. In this landmark episode we go back to talk about Way Down In The Hole for the 7th (8th?) and final...
Live and in-person, Martin and Sam welcome back Helen Sadler to discuss the general feel of live albums vs studio equivalents, and the presentation of music to different audiences simultaneously. Song by Song is Martin Zaltz Austwick and Sam Pay; two...
Looking back to the Rhumba version of this track from Franks Wild Years, Sam and Martin feel their way through an excellent version of a song that has little appeal for either of them. We also discuss some of the physicality of Waits's live...
Lacking a guest this episode, Martin and Sam debate similarities and differences between live and studio versions, including some of the musical effects of changing counts, back-singing of phrases, and how these techniques help reinterpret the songs...