Gesamtlänge aller Episoden: 4 days 21 hours 11 minutes
In this final instrumental track on Closing Time, Sam and Martin sum up their feelings about the album as well as the interesting discoveries they’ve made in beginning the Song by Song project. They discuss arrangements, collaborators, lack of...
As we head into the final tracks of Closing Time, Martin and Sam explore the sentimental side of Waits’s writing and the presence of unusual types of love in his lyrics. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to...
Sam and Martin debate Waits’s influences as a singer and performer and his relationship to Frank Sinatra, and the ways they break expectations of songs and draw audiences in. Marble eggs also feature somehow. Song by Song is Martin Zaltz Austwick...
Things kick up a gear as Martin and Sam discuss the energetic outlier of Closing Time’s second half. Discussion includes explicit lyrics, comic-book ice-cream sellers and the swing era of the Big Band. Song by Song is Martin Zaltz Austwick and Sam...
Sparse and open orchestration, dissonant ringing and obscure meaning all feature in the discussion of what Sam considers the most interesting song of the album, with debate over vocal authenticity vs technical ability and musical theatre performance....
Utterly unable to keep their minds out of the gutter, Martin and Sam get seriously stuck on one particular lyric, but push through to talk about Closing Time as an album, falsetto singing and courtly language. Song by Song is Martin Zaltz Austwick and...
Sam and Martin reach the iconic, eulogic apex of Closing Time, as Tom Waits makes a long-distance call to an old flame. Narrative structure and resolution, Sam’s hatred of oboes and the Meatloaf reading of Gilliam’s Brazil all come up. Honestly....
Lulled by children’s rhymes and traditional tunes, Martin and Sam start to talk about Waits’s lyrical content (or lack thereof), as well as personality vs. persona, tenderness compared with romance and a magpie attitude to language and songs. Song...
We finally get some real disagreement with this fourth track from Closing Time, Old Shoes (& Picture Postcards) - as the Dylan influence starts to show Sam rails against the pointlessness of the track while Martin defends the folk influences of...
Closing Time continues with Virginia Avenue, a wander through the late night streets of 1970s LA and through a song that both Martin and Sam seem to have forgotten about until today. Trumpet players, the voice as instrument and background storytelling...