Song by Song is a podcast celebrating the music of Tom Waits, hosted by podcaster-musician Martin Zaltz Austwick and actor-musician Sam Pay. Sam and Martin set themselves the goal of listening to Tom Waits’s back catalogue from beginning to end, and devoting an episode to discussing each track. Song by Song is in no way officially linked to Tom Waits, or endorsed by Tom Waits, or associates. All excerpts are used for criticism purposes - please purchase your own copies of the music at your favourite shop, app, or platform to get the full experience and support musicians' work.
http://songbysong.libsyn.com/website
Gesamtlänge aller Episoden: 6 days 3 hours 32 minutes
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episode 1: Chicago, Bad As Me, Tom Waits [414]
Back for the beginning of our final(?) season, Bryce Halliday joins Sam and Martin for a journey toward the great unknown of Illinois. We examine the era of the song’s setting, the power of Mavis Staples’s singing, and the reliability of moving to...
episode 2: Raised Right Men, Bad As Me, Tom Waits [415]
Shambling on from Chicago, Waits lays down some relationship advice for Bryce, Martin and Sam to pick apart and interpret, with some mixed attitudes towards partners’ and parents’ influence over right and wrong men. We chat about the work of...
episode 3: Talking at the Same Time, Bad As Me, Tom Waits [416]
Waits pulls on some (possibly) contemporary references this week, as Bryce, Sam and Martin consider the various meanings that “everybody talking” may relate to. Considering the tone and quality of the song, the applications to various political...
episode 4: Get Lost, Bad As Me, Tom Waits [417]
We welcome Kerry-Jo Reilly to the show, joining Martin and Sam for songs of travel, departure and longing by Tom Waits, Larry Taylor, and their various associates. There’s discussion of the value of 60s/70s blues-rock, Waits’s various...
episode 5: Face to the Highway, Bad As Me, Tom Waits [418]
Back with Sam and Martin, Kerry-Jo has some opinions about the honesty of Waits’s reasons for departure, as well as the comprehensibility of his Sweetums voice. We discuss the inevitability and/or duality of his departure, styles of poetic writing...
episode 6: Pay Me, Bad As Me, Tom Waits [419]
With a brief digression into Beyoncé’s oeuvre, Kerry-Jo, Martin and Sam discuss some of the oddities in the writing of Pay Me, and what story Waits is trying to tell. We consider stories of theatrical life, where to find the end of the world, and...
episode 7: Back In The Crowd, Bad As Me, Tom Waits [420]
Joined by long-hoped-for guest Sara Gran, Sam and Martin shuffle back into the crowd of emotional songs of loss and yearning, flanked by Waits in a sorrowful mode and Roy Orbison full of powerful declamatory emotion. Some lyrical interpretation, a...
episode 8: Bad As Me, Bad As Me, Tom Waits [421]
We’re delighted to welcome John Darnielle of The Mountain Goats for this special extended episode listening to the title track from Bad As Me. Diving into the history of Waits’s musical evolution, John, Martin and Sam consider the value of...
episode 9: Kiss Me, Bad As Me, Tom Waits [422]
Waits's yearning for a new (or at least newness in) love brings Sara, Martin and Sam to some inherent features of popular music as well as human nature in general. We have conversations about changing affection in art itself, dig into the truths and...
episode 10: Satisfied, Bad As Me, Tom Waits [423]
Another Keith Richards collaboration brings Waits to a full confrontation with the Rolling Stones, as Song by Song engages with this cryptic track from the second half of Bad As Me. Determination in music and sports, the sexual or metaphorical...
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