The Incomparable Mothership

Our Comic Book Club gets in a romantic mood with a discussion of comic-book romances—the (very) few that have stood the test of time and the (very) many that have been thwarted by clones, telepaths, cloned telepaths, and—worst of all—Satan’s Annulment. Also, what are we reading?

Step through your time portal, buy some cheap 1950s hamburger, and prepare for our discussion of Stephen King’s new novel 11/22/63. How does a 21st century man react to the racism and sexism of the south in the mid-20th century? Would the world have been a better place if Kennedy hadn’t been assassinated? Is Canada really eyeing the state of Maine anxiously? Like the book, we have some—but not all—of the answers.

Live from the Macworld |iWorld Live Stage, it’s a discussion of our favorite (and least favorite) uses of technology in movies, TV shows, books, and more.

Go north, get lamp, and check your inventory, as guest host Greg Knauss takes you on a journey into the world of interactive fiction, also known as “text adventures.” Did families in the ’80s really sit around the Apple II playing “Mystery House?” Will saving a game really erase your floppy disc? Listen if you dare, but watch out for grues!

It’s fun for the whole family, as we discuss some of our favorite movies for kids (and their parents). Did we really recommend an animated movie from Dreamworks? And a movie with Melanie Griffith? And a German fantasy film? Well, yes, but you’ll have to listen to find out which ones.

We bid farewell to 2011 by listing the favorite things we inhaled into our brains during the past year. We also recall our favorite podcast moments, read a whole bunch of listener comments, and more. (Although this is a clip show, two-thirds of the running time is actually original material!)

All hail the power of motherhood! We discuss this year’s “Doctor Who” Christmas special, “The Doctor, the Widow, and the Wardrobe.” Plus, why Christmas episodes make us feel warm inside, and the amazing scanner-blocking powers of wool!

Favorite holiday movies and TV

They Might Be Giants.

Break out your gaming laptop and pass the ammunition: It’s time to discuss Neal Stephenson’s “REAMDE.” Why does the book’s plot take a hard left turn halfway through? Why does Stephenson struggle to write endings—and does he succeed this time? Is this book about family, the victory of the outsider, or blowing things up? (Can’t it be all three?)