HowSound

The backstory to WGBH's Gabrielle Emanuel's reporting on a hidden past is fascinating. How she found people connected to the Reverse Freedom Riders… How she communicated with them by hand-written note… the discussion in the newsroom about connecting the story of the Reverse Freedom Rider’s to President Donald Trump’s plan to send undocumented immigrants to sanctuary cities… all that on this episode of HowSound.

When you're yelled at. Called a prostitute. Told you're a liar and shameless and malicious... How do you stay the course and keep interviewing? Brazilian journalist Leticia Duarte explains her approach on this episode of HowSound.

Emily Kwong had never been to Mongolia. She doesn't speak the language. She didn't know her way around. It was winter and very cold. She was in-country alone -- no fellow producer. The only way she was able to successfully report on climate change and migration was to hire incredible fixers.

Rob talks specifically about how to bring music in and out of a story. And, then, he takes a stab at the impossible: explaining one aspect of how to select music to use for scoring. 

How do you score a story with music is one of the most frequent questions, HowSound's Rob Rosenthal is asked. Up now, the first of two episodes on the fundamentals of using music in stories.

HowSound listeners always seem to want tips on interviewing. Liz Mak of Snap Judgement delivers on this episode with her approach to interviewing for emotions.

Get your ears on for this episode. Rob presents clips from podcasts that made his jaw drop including Love + Radio, The Ballad of Billy Balls, and Have You Heard George's Podcast.

Reporting in the field can be chaos. Anything can happen. NPR host Noel King says that's the best part of being a journalist -- chasing a story that's ever-shifting.

In 2017, producer Sam Greenspan took a leap. He left his producing job at 99% Invisible for... well, he wasn't exactly sure at the time. Now, two years later, Sam's launched Bellwether, a podcast employing speculative journalism to tell stories about the future. The show is a unique mix of reporting, science fiction, and radio drama.

In an effort to try something new, Rob offers another podcast review. This time, "Song Exploder" from Radiotopia.