HowSound

NPR reporter Uri Berliner breaks from his usual approach to storytelling and finds interviewing his dad about growing up in Berlin in the 1930s to be incredibly difficult and rewarding.

Sewage pipes, a radio crime, and sound designing inner thoughts.... Must be another episode of Rob's fav sounds but this time with a twist -- a sound that annoyed Rob to no end. Clips from BBC 3 and Nathanial Mann, Bodies by KCRW,

Mirrors, reindeers, and grave digging. Must be an episode about Cathy Fitzgerald and her distinctive approach to interviewing.

On this episode, the convention-busting production choices of "10 Things That Scare Me."

Sometimes, there's just too much good work to feature on HowSound. To solve the problem, from time to time I feature a slew of ear-catching clips on one episode. On this episode, work from Believed, 99% Invisible, This American Life, and Threshold.

At a school where I taught radio, in the mic booth, there was a photo of Studs Terkel hanging on the wall. Under it, someone wrote “Talk to Studs.” The picture was there to help with tracking. Narration will sound more conversational if you pretend you...

Since 2009, Julia Barton's edited a lot of radio and podcasts you probably listen to including Revisionist History. On this HowSound, Julia talks shop about her approach to editing.

Jeff Emtmen pulled an audio slight of hand in an episode of Hear Be Monsters about Mexican free-tail bats. It's a delight to listen to. To understand Jeff's magic, Rob offers a primer on sound and hearing.

Up now on HowSound, two examples of how students at our week-long Traveling Workshops work hard to get their stories right.

On this episode, a fascinating minute of audio - the sound of war and peace reconstructed from the exact end of World War I. Even more fascinating, the producers - Will Worsley and Sam Britton - conjured the sound using audio shadows captured on film.