HowSound

Davia Nelson, one half of the legendary Kitchen Sisters, shares the pair's incredible news: The Library of Congress will acquire the Kitchen Sisters' archive, decades of innovative audio work. Davia also talks with Rob about collaborating with performance artist Laurie Anderson on "The Great Amish Pandemic Sewing Frolic," a story about the power of working together.

Rob doles out another collection of darts and laurels on this episode. Darts for missing credits and superfluous sound effects. Laurels for stupendous production values, character development, and just plain weirdness. Featured work is from The BBC, Vice, Wonder Media, and others.

One of the most helpful tools for organizing a story is a "scene chart." Think of it as an outline for the "chapters" in an audio story. Rob dissects one of his favorite audio stories, one he's used in workshops for years, to help explain the idea of thinking in scenes and outlining stories.

A breath may seem like the most insignificant detail in an audio story. But, Rob says breaths are incredibly important when you're editing. All you have to do is listen to stories where the breaths are cut out. They sound weird and off-kilter. Rob offers suggestions for preventing that problem, starting with, "remember to breathe!"

Vermont Public Radio reporter Angela Evancie says with the decline in trust of the media, the best way to build back that trust is with listener engagement and podcasts like the one she produces: Brave Little State.

Silence is often viewed as a no-no on the radio and in podcasts. Silence sounds like something's wrong — the radio station went off the air, the podcast paused. But, what if a story is about silence?

Audio producer and sound artist Kristina Loring was walking the beach with her dog when she stumbled across an actual message in a bottle. That moment led to an unusual audio installation involving bottles, and a telephone hotline with messages for a Covid-weary world.

Al Letson set his sights on true crime storytelling in an unusual way — with a covenant for listeners in the true crime series he reported for Reveal, "Mississippi Goddam: The Ballad of Billey Joe." Rob asks "Why go after true crime like that?"

When the story is about a family (and also not about a family), but the parents are divorced, and the kids and their father haven't spoken for years, how do you, as a reporter, navigate those tricky waters? Aviva DeKornfeld of This American Life artfully made it work.

Producer Nina Porzucki is giving audio producers a gift on this episode — she's sharing a work in progress, a first-draft pilot for a podcast. Nina lays out how she got to the pilot stage and now, what needs to happen next.