Gesamtlänge aller Episoden: 5 days 1 hour 59 minutes
Producer Ann Heppermann explains how Glynn Washington was the perfect sympathetic character as the narrator of the "Heaven's Gate" podcast, the series about the cult that committed the largest mass suicide in the United States.
Bradley Campbell couldn't believe it when I told him I'd like to interview him about sports stories. He knows how much I hate them. But, a sports story he produced and other episodes of Gamebreaker are well worth the listen. Bradley explains why.
Megan Tan pulled the plug. She stopped producing Millennial at the height of the podcast boom. Her inspiring yet cautionary tale on this episode of HowSound.
One way to start a story is with a question -- one that focuses and animates the piece. Annie Minoff and Elah Feder of the "Undiscovered" podcast use focus questions as story starters to great effect. But, I had some questions about their questions.
"The Promise," a podcast from WPLN in Nashville, is an inspiring example of the journalism of empathy. And, it's easily some of the best local reporting I've heard in a long time. Meribah Knight explores this approach to reporting on this HowSound.
A shooter guns down twenty-six people in a church. Soon after, Debbie Elliott from NPR shows up, a stranger with a microphone. She says it's hard not to feel like a pariah when reporting in traumatic situations. So, how do you avoid that?
Planet Money's Noel King says the best way to write for radio is to not write. Instead? Tell.
Two solidly produced, fun stories from students at the Transom Traveling Workshop in Marfa, Texas. Both are well worth your listen.
"Radio is the most visual medium." Aviva DeKornfeld's story "After the Storm" is proof. So much so, it's just as much a photo essay as it is a radio story.
Jad Abumrad of Radiolab delivers the goods on sound design in radio stories. A must listen if you're thinking of sound designing your next radio story.