Gesamtlänge aller Episoden: 5 days 59 minutes
Why is it so hard to sound like yourself when reading narration for radio stories? Transom's Viki Merrick offers some voicing coaching gold. You'll wanna take notes.
How do you craft sound design that doesn't sound cheesy? HowSound's Rob Rosenthal has no idea. To start figuring it out, he talked with Matt Boll who worked on the sound design for Crimetown.
With the glut of first-person stories these days, how do you make yours stand out? Neil Sandell has some ideas.
Producer Samantha Broun and This American Life's Christopher Swetala join me to talk about fact-checking "A Life Sentence" on this episode of HowSound.
If you have one day to produce a story for KCRW's 24-Hour Radio Race, reach for low hanging fruit, right? Not if your Esther Honig. On this episode, Esther recounts how she and her team produced an emotionally difficult story for the race in 2015 -- an...
Filmmaker Tally Abecassis learned a lot about audio storytelling when she jumped in the deep end & started producing "First Day Back." The lessons she learned are useful for filmmakers thinking of producing audio stories -- & radio producers, too.
Irish radio producer Ronan Kelly has a great ear for compelling radio. He plays story DJ on this archive episode of HowSound from 2010.
I was so nervous talking to Ashley Ahearn the producer of KUOW's new podcast about the environment "terrestrial." I should have been. I asked her about her appearance.
Sook-Yin Lee describes the combination of improvisation and structure that informs the production of Sleepover, a hit podcast from the CBC.
Sometimes, pitching a story is the last thing you want to do. Just press record and see what happens. Jay Allison is the guest on this episode of HowSound.